‘“Inverted Blackness” features portraits of Black immigrants living in the United States, their skin articulated in shades of blue. This color choice attests to the artist’s own experience of racial malaise as a Nigerian man studying in America ... and the roiling negative bias Black people face in America.’



SARAH MOROZ
Plants of America, 2023-24
Oil and acrylic on canvas
183 x 122 cm / 72 x 48 in

Plants of America, 2023-24

Oil and acrylic on canvas

183x122 cm / 72x48 in

My basement window (American Architecture I), 2024
Mixed media
244 x 183 cm / 96 x 72 in

From My Basement Window (American Architecture I), 2024

Mixed media

244x183 cm / 96x72 in

David on a Couch, 2023-24
Oil and acrylic on canvas
183 x 244 cm / 72 x 96 in

David on a Couch, 2023-24

Oil and acrylic on canvas

183x244 cm / 72x96 in

Hold Me Here and There, 2025
Oil and acrylic on canvas
213 x 152 cm / 84 x 56 in

Hold Me Here and There, 2025

Oil and acrylic on canvas

213x152 cm / 84x56 in

Higher Goals (After Hammons), 2024
Oil and basketball hoop with beaded net on canvas
244 x 183 cm / 96 x 72 in

Higher Goals (After Hammons), 2024

Oil and basketball hoop with beaded net on canvas

244x183 cm / 96x72 in

David and Avery (Party Size), 2025
Oil and acrylic on canvas
182 x 162 cm / 71 x 65 in

David and Avery (Party Size), 2025

Oil and acrylic on canvas

182x162 cm / 71x65 in

Dami and Obasi I, 2024

Oil and acrylic on canvas

183x122 cm / 72x48 in

Simone’s Yellow Scarf, 2025
Oil and acrylic on canvas
76 x 61 cm / 30 x 24 in

Simone’s Yellow Scarf, 2025

Oil and acrylic on canvas

76x61 cm / 30x24 in

The Transfiguration, 2023-24
Oil, acrylic and oil stick on canvas
244 x 183 cm / 96 x 72 in

The Transfiguration, 2023-24

Oil, acrylic and oil stick on canvas

244x183 cm / 96x72 in

Hell or High Water, 2023

Oil and acrylic on canvas

240x182 cm / 95x72 in

“When I first came, it was hard for me to make friends. I was bullied a lot for my accent, for the way I looked, the way I dressed, and the way I wore my hair. At the time, being African was a ground for being bullied, so Nigerian kids around me tried to be as American as possible. Nobody wanted to identify as African. In high school, I remember people would be like: ‘Oh, I’m not Nigerian, my parents are Africans. I’m not African, my parents are African.’ People would legitimately tell you to your face.”

 

*In the section below are IMAGES OF digital paintings CREated on Photoshop for inkjet printing on canvas. THEY HAVE NOT BEEN EXHIBITED ANYWHERE.

 

Shedrack at Bami Farms, 2025

Digital collage

Faith at the Botanical Garden I, 2025

Digital collage

Tolu, 2025

Digital collage

(Untitled) Self Portrait at The Beach
Digital painting

Self-Portrait at RISD Beach, 2025

Digital collage

Faith (Election Day), 2025

Digital collage

(Untitled) Baby Demian Dedication 2
Digital painting

Baby Demian Dedication, 2025

Digital collage

The First Time I Met Chibueze, 2025

Digital collage

Faith at the Botanical Garden II, 2025

Digital collage

Baby Demian Dedication II, 2025

Digital collage

 

“We are and always will be a nation of immigrants. We were strangers once, too.”


Barack Obama